South Korea’s Box Office: “Oppenheimer” Remains Top Film
Weekend Success for “Oppenheimer”
“Oppenheimer” remained the top performing film in South Korea for the third successive weekend. It earned $2.04 million for a 19-day cumulative total of $22.4 million.
Korean Audiences Appreciation of Top Acting Skills
The row of wins for “Oppenheimer” demonstrates again Korean audiences appreciation of top acting skills. But it also exposes the weakened selection of competing titles in the Korean market.
New Release Title “Don’t Buy the Seller” in Second Position
The top-ranked new release title was the drama thriller “Don’t Buy the Seller,” which landed in second position, according to weekend data from Kobis, the tracking service operated by the Korean Film Council (Kofic). It scored just $1.27 million over the weekend and $1.87 million over its opening five days.
Weakened Box Office Performance
That weakness pulled the nationwide cinema box office aggregate below trend and below $10 million for the second successive weekend. Takings across all cinemas between Friday and Sunday were just $7.21 million, down from $9.95 million a week earlier.
16 Weeks of Strong Gross Revenues
Previously, Korean cinemas had enjoyed weekend gross revenues of more than $10 million for the 16 weeks, since the end of April, when cinemagoing broke with a winter and early spring period of hibernation.
Local Films Drive Market Share Surge
Nationwide grosses in August totaled KRW14.6 billion, a figure that was almost identical to both July (KRW14.2 billion) and June (KRW14.5 billion). The market share attained by local films surged back to 65%, driven by the performances of “Smugglers” and “Concrete Utopia.”
“Concrete Utopia” Holds on to Third Place
Over the latest weekend, “Concrete Utopia” held on to third place. It earned 1.17 million in its fourth weekend of release, for a cumulative total of $26.7 million.
“Honeysweet” Slips to Fourth Place
“Honeysweet,” a romance film that was the previous weekend’s top release, slipped to fourth place. It scored $1.07 million, for a 12-day cumulative of $8.25 million.
Pixar Animation “Elemental” Continues Strong Performance
Pixar animation, “Elemental” continued its physics-defying run at the Korean box office with fifth place. It earned $463,000 over the latest weekend to extend its total to $53 million after 12 weekends on release. That total makes it the second-best performing film of the year in Korea, behind only “The Roundup: No Way Out.”
“Smugglers” Achieves Fourth Highest Film of the Year
“Smugglers” earned 376,000 in sixth place. The female-led crime action film now has a cumulative score of $37.1 million, making it the fourth highest film of the year in Korea, and the second highest Korean title.
New Releases Struggle at the Box Office
Korean horror film “Body Parts” earned just $168,000 on its debut weekend (and $256,000 over five days). Another new release, “Operation Fortune: Ruse de Guerre” earned $136,000 on its debut weekend (and $226,000 over five days).
“Maya the Bee 3: The Golden Orb” and “One Week Friends” in the Charts
“Maya the Bee 3: The Golden Orb,” which released a week earlier, took $62,000 over the latest session, for a cumulative of $226,000 after 11 days. Playing previews ahead of a release on Wednesday, Chinese film “One Week Friends” earned $60,000 and claimed tenth place in the Korean chart.
South Korea’s Box Office: “Oppenheimer” Remains Top Film
Weekend Success for “Oppenheimer”
“Oppenheimer” remained the top performing film in South Korea for the third successive weekend. It earned $2.04 million for a 19-day cumulative total of $22.4 million.
Korean Audiences Appreciation of Top Acting Skills
The row of wins for “Oppenheimer” demonstrates again Korean audiences appreciation of top acting skills. But it also exposes the weakened selection of competing titles in the Korean market.
New Release Title “Don’t Buy the Seller” in Second Position
The top-ranked new release title was the drama thriller “Don’t Buy the Seller,” which landed in second position, according to weekend data from Kobis, the tracking service operated by the Korean Film Council (Kofic). It scored just $1.27 million over the weekend and $1.87 million over its opening five days.
Weakened Box Office Performance
That weakness pulled the nationwide cinema box office aggregate below trend and below $10 million for the second successive weekend. Takings across all cinemas between Friday and Sunday were just $7.21 million, down from $9.95 million a week earlier.
16 Weeks of Strong Gross Revenues
Previously, Korean cinemas had enjoyed weekend gross revenues of more than $10 million for the 16 weeks, since the end of April, when cinemagoing broke with a winter and early spring period of hibernation.
Local Films Drive Market Share Surge
Nationwide grosses in August totaled KRW14.6 billion, a figure that was almost identical to both July (KRW14.2 billion) and June (KRW14.5 billion). The market share attained by local films surged back to 65%, driven by the performances of “Smugglers” and “Concrete Utopia.”
“Concrete Utopia” Holds on to Third Place
Over the latest weekend, “Concrete Utopia” held on to third place. It earned 1.17 million in its fourth weekend of release, for a cumulative total of $26.7 million.
“Honeysweet” Slips to Fourth Place
“Honeysweet,” a romance film that was the previous weekend’s top release, slipped to fourth place. It scored $1.07 million, for a 12-day cumulative of $8.25 million.
Pixar Animation “Elemental” Continues Strong Performance
Pixar animation, “Elemental” continued its physics-defying run at the Korean box office with fifth place. It earned $463,000 over the latest weekend to extend its total to $53 million after 12 weekends on release. That total makes it the second-best performing film of the year in Korea, behind only “The Roundup: No Way Out.”
“Smugglers” Achieves Fourth Highest Film of the Year
“Smugglers” earned 376,000 in sixth place. The female-led crime action film now has a cumulative score of $37.1 million, making it the fourth highest film of the year in Korea, and the second highest Korean title.
New Releases Struggle at the Box Office
Korean horror film “Body Parts” earned just $168,000 on its debut weekend (and $256,000 over five days). Another new release, “Operation Fortune: Ruse de Guerre” earned $136,000 on its debut weekend (and $226,000 over five days).
“Maya the Bee 3: The Golden Orb” and “One Week Friends” in the Charts
“Maya the Bee 3: The Golden Orb,” which released a week earlier, took $62,000 over the latest session, for a cumulative of $226,000 after 11 days. Playing previews ahead of a release on Wednesday, Chinese film “One Week Friends” earned $60,000 and claimed tenth place in the Korean chart.