If there was a French cultural elite from North Africa, then the 45-year-old and among their ranks was the aged actor Reza Kateb.
for him great His uncle was the Algerian writer Kateb Yassine and his dreams father Malik Al-Din is a writer also actor. You will likely see his films at festivals, with for him playing The down-to me-earth and reliable supporting the actor who It seems to be carrying weight of The world on his shoulders.
In the 2022 movie, “Our Brothers” in full moon selection Sentenced 18-25-year- He was born at the Ajyal Film Festival, and he plays the role of brother of Oskin owner who kill through student protests in 1986. In the movie Rachid Bouchareb, he appeared story of paired owner with The murder of Abd Ben Yahya by a police officer in Suburbs of Paris. The way The movie was filmed for a good 20 minutes It’s hard to tell stories apart for those who They are not familiar with Names of these young people who were killed in the eighties.
The movie begins with real TV clips of protests against Devake’s Law, which proposed opening the door to university admissions in France more eclectic and also Introducing tuition fees. Snaps come as a reminder of protest culture in France, where people Take to the streets when they have a complaint with The government. some peopleOf course, look for it easier To protest from others, because they know the police will treat they more completely. Our “brothers” is story of two young people of North African ancestry who Busy up in The rising tensions caused by eventsnot even in The events themselves. One could argue, of Of course, having a darker skin tone is a risk in any given period of time, with or without large-scale demonstrations.
The movie correctly gets a file start In the mortuary, where a French man of African descent is praying over The dead Corpses of men who They are waiting for their relatives to claim them. At the moment, it is them next of Relatives are trying give They have rituals of the passage. This is where the stories are of Malik and Abed meet and intertwine visually throughout the film.
remind us That this is a piece from a while, after the stills of Protests and Mitterrand’s talk on TV starts the movie with the police on Motorcycles will break up demonstrator. Bouchareb chose to cover this sequence with North Africa music It gives the scene a very strange feel. in the end of In the movie, we are told that the robotic riot police were then disbanded events It was reintroduced during the recent yellow vest protests. Throughout the movie, they are shown to be very difficult to men and who They are encouraged by each other and their superiors to be careless like possible with The public They are supposed to serve.
there, of a path, one good A policeman, as always, trying to bring down Tension between families of The dead and the state. This involves lying to families and making them wait to see the bodies of loved ones. There is another “no” bad“Policeman, friend of Malik’s sister, I wonder if the script takes liberties with The story in Yes give us A “both sides of Perspective of the violence gap, Reda Kateb plays the role of Malik’s brother who He seems unwilling to believe that the French police are a representative of The French state, probably killed brother during his disappearance. He and his sister live in Comfortable apartments in It is clear that Paris was benefiting of a good education. They have done well by France. he is the one calm down down Other members of The family sure that’s his brother He will be returned alive. he is, of Of course, then, one who He feels the greatest betrayal when his brother sees him dead bodywhich is a heartbreaking scene indeed.
The police “explain” to him what they thought for for a while that body I was of battalions (more References to the 80’s politicsA Lebanese man. Then Muhammad says Some things that look like Summary of The official French Muslim identity. “No Him says “He was French” and when I made the argument of the Lebanese Phalange Party again he is says “No, he was a Muslim.” This was the formula in The early 2000s that French Muslims believed would give them equal citizenship. If you protest that you are French first and Muslim secondRepublic welcomes you with Open your arms. Well, the jury out on who – which one.
However, the development here is that Muhammad, when trying to understand last some days of for him brotherFind out That Malik had hoped to train him to be a Jesuit priest, which somewhat led to his invalidation second part of French and Islamic identity logo. that it hard for Muhammad to attend terms with The fact this little brother have taken a little more steps of himself to become model French citizen. In the acting of the movie, he handles his frustration well, talking to the priests who They were also trying to understand Malik’s research for The meaning is God moves in mysterious ways.
While in Suburbs of Paris, Abdul father And the brother represent another category of French Muslim citizens, earning their livelihood through skilled manual labor, may not have pretensions in French quite like Oussekine family. that it with Them that the movie closes, huddled together in In front of me of TV where news Show what’s promising young was a man. Here we go back to the actual footage of Abdul is talking about how He made use of the training program he was on onAnd now he feels he has better prospects. Prospects put an end to state-sanctioned violence.
Bouchareb is doing an excellent job of Bring stories of these two young men to me lightreminding French citizens that system Always more They are likely to be sacrificed of else race or other category in ‘public and violent negotiations. The film can also It can be read as a call Insisting on The truth And the male of The brutality that went into making it of Many French (and European) institutions that remain My exclusion to this day.
If there was a French cultural elite from North Africa, then the 45-year-old and among their ranks was the aged actor Reza Kateb.
for him great His uncle was the Algerian writer Kateb Yassine and his dreams father Malik Al-Din is a writer also actor. You will likely see his films at festivals, with for him playing The down-to me-earth and reliable supporting the actor who It seems to be carrying weight of The world on his shoulders.
In the 2022 movie, “Our Brothers” in full moon selection Sentenced 18-25-year- He was born at the Ajyal Film Festival, and he plays the role of brother of Oskin owner who kill through student protests in 1986. In the movie Rachid Bouchareb, he appeared story of paired owner with The murder of Abd Ben Yahya by a police officer in Suburbs of Paris. The way The movie was filmed for a good 20 minutes It’s hard to tell stories apart for those who They are not familiar with Names of these young people who were killed in the eighties.
The movie begins with real TV clips of protests against Devake’s Law, which proposed opening the door to university admissions in France more eclectic and also Introducing tuition fees. Snaps come as a reminder of protest culture in France, where people Take to the streets when they have a complaint with The government. some peopleOf course, look for it easier To protest from others, because they know the police will treat they more completely. Our “brothers” is story of two young people of North African ancestry who Busy up in The rising tensions caused by eventsnot even in The events themselves. One could argue, of Of course, having a darker skin tone is a risk in any given period of time, with or without large-scale demonstrations.
The movie correctly gets a file start In the mortuary, where a French man of African descent is praying over The dead Corpses of men who They are waiting for their relatives to claim them. At the moment, it is them next of Relatives are trying give They have rituals of the passage. This is where the stories are of Malik and Abed meet and intertwine visually throughout the film.
remind us That this is a piece from a while, after the stills of Protests and Mitterrand’s talk on TV starts the movie with the police on Motorcycles will break up demonstrator. Bouchareb chose to cover this sequence with North Africa music It gives the scene a very strange feel. in the end of In the movie, we are told that the robotic riot police were then disbanded events It was reintroduced during the recent yellow vest protests. Throughout the movie, they are shown to be very difficult to men and who They are encouraged by each other and their superiors to be careless like possible with The public They are supposed to serve.
there, of a path, one good A policeman, as always, trying to bring down Tension between families of The dead and the state. This involves lying to families and making them wait to see the bodies of loved ones. There is another “no” bad“Policeman, friend of Malik’s sister, I wonder if the script takes liberties with The story in Yes give us A “both sides of Perspective of the violence gap, Reda Kateb plays the role of Malik’s brother who He seems unwilling to believe that the French police are a representative of The French state, probably killed brother during his disappearance. He and his sister live in Comfortable apartments in It is clear that Paris was benefiting of a good education. They have done well by France. he is the one calm down down Other members of The family sure that’s his brother He will be returned alive. he is, of Of course, then, one who He feels the greatest betrayal when his brother sees him dead bodywhich is a heartbreaking scene indeed.
The police “explain” to him what they thought for for a while that body I was of battalions (more References to the 80’s politicsA Lebanese man. Then Muhammad says Some things that look like Summary of The official French Muslim identity. “No Him says “He was French” and when I made the argument of the Lebanese Phalange Party again he is says “No, he was a Muslim.” This was the formula in The early 2000s that French Muslims believed would give them equal citizenship. If you protest that you are French first and Muslim secondRepublic welcomes you with Open your arms. Well, the jury out on who – which one.
However, the development here is that Muhammad, when trying to understand last some days of for him brotherFind out That Malik had hoped to train him to be a Jesuit priest, which somewhat led to his invalidation second part of French and Islamic identity logo. that it hard for Muhammad to attend terms with The fact this little brother have taken a little more steps of himself to become model French citizen. In the acting of the movie, he handles his frustration well, talking to the priests who They were also trying to understand Malik’s research for The meaning is God moves in mysterious ways.
While in Suburbs of Paris, Abdul father And the brother represent another category of French Muslim citizens, earning their livelihood through skilled manual labor, may not have pretensions in French quite like Oussekine family. that it with Them that the movie closes, huddled together in In front of me of TV where news Show what’s promising young was a man. Here we go back to the actual footage of Abdul is talking about how He made use of the training program he was on onAnd now he feels he has better prospects. Prospects put an end to state-sanctioned violence.
Bouchareb is doing an excellent job of Bring stories of these two young men to me lightreminding French citizens that system Always more They are likely to be sacrificed of else race or other category in ‘public and violent negotiations. The film can also It can be read as a call Insisting on The truth And the male of The brutality that went into making it of Many French (and European) institutions that remain My exclusion to this day.